Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Charles Christian Nahl and august wenderoth
Miners in the Sierras
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Charles Christian Nahl and august wenderoth Miners in the Sierras


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Charles Christian Nahl and august wenderoth

German-born American Painter, 1818-1878 American, 1819-1884  Related Paintings of Charles Christian Nahl and august wenderoth :. | Monastery Gates | The Portrait of Character | Dancer at the dressing room | Hunter Sleeping on a Hillside sg | Richard Kersting vor seiner Abreise nach Riga |
Related Artists:
LONGHI, Alessandro
Italian painter, Venetian school (b. 1733, Venezia, d. 1813, Venezia). Painter, engraver and writer, son of (1) Pietro Longhi. He must have received his first artistic training from his father, although the only evidence of this is the similarity of their styles. He was apprenticed to Giuseppe Nogari, one of the better Venetian portrait painters of the first half of the eighteenth century, and his earliest works are bust-length, mostly life-size portraits in Nogari's style. He first exhibited in 1757 and by 1758 must have been considered a reasonably established artist,
charles edward halle
French painter, born in 1846 and died in 1919
FIGINO, Giovanni Ambrogio
Italian painter, Lombard school (b. ca. 1551, Milano, d. 1608, Milano) was an Italian Renaissance painter from Milan. An important representative of the Lombard school of painting, he had been taught by Giovanni Paolo Lomazzo. Best known as a draftsman, he was also a skilled portrait painter. Among the few portraits that can be traced back to Figino, the portrait of Field Marshal Lucio Foppa is one of the best known. On January 25, 2001, his Portrait of Giovanni Angelo was auctioned at Sotheby's for US$ $1,435,750; after a high estimate of US$ 180,000[1]. The organ shutters for the Cathedral of Milan were painted after 1590 by Ambrogio, Camillo Procaccini, and Giuseppe Meda, depicting the Passage of the Red Sea and the Ascencion of Christ. In the Castello Sforcesco there is a painting of his of Saint Ambrose expelling the Arians. A still life painting, a thematic uncommon among Italians of his day, of peaches is attributed to him He also painted in Milan an Immaculate conception for Sant'Antonio,






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